The meaning of poverty

  George Orwell (1903-1950), formerly known as Eric Arthur Blain (Eric Arthur Blain, British novelist, essayist, critic. Orwell’s pen name is taken from “Paris London” The name of the protagonist of The Down and Down. Orwell believes that writers have four major motives for writing: the desire for self-expression, aesthetic thoughts and enthusiasm, historical impulses (hoping to return things as they are), and political efforts (hope to push the world in a certain direction, to help others develop an idea of ​​what kind of society people are striving for.) He once said: “I don’t write a book to make a work of art, It’s because I have lies to expose. But I wouldn’t write it if it couldn’t be an aesthetic event at the same time.”
  Down and Down in Paris and London, published in 1933, was the first novel published under the pseudonym Orwell. This book reads more like a memoir. It was written by the author while living in London and Paris. It shows people the true meaning of poverty with humorous strokes. The first draft of the novel uses a diary style, but it is very ironic. The whole work is divided into two parts to reflect the theme of poverty in the two cities. The first part of the story is set in Paris, where an anonymous narrator recounts everyday life in a Parisian ghetto in the early 20th century. The narrator was born in England, lives in Paris, and makes ends meet by teaching English, an Italian The typesetters copied his house keys, stole his entire savings, and his classes were discontinued due to fewer students, leaving him penniless and doing lowly jobs in restaurants Dishwasher’s job. The writer described the hardships of the bottom laborers’ life and the unbearable inside stories in French restaurants with vivid and delicate brushstrokes. In the second part, the narrator returns to his home country, England, and wants to try his luck in London, but he has to find a way to live before he can find a stable job. In this way he lived a life of a vagabond – no fixed place, begging everywhere, and lodging in the cheapest and dirtiest places. British law states that homeless people cannot stay in the same place for more than a month, so the narrator has to move frequently, waiting for the hostel to open. The writer uses humorous strokes to tell the plot of the protagonist cheating the landlord and negotiating with the pawnshop in order to make a living, making a true depiction of poverty, and inserting his views on the events between chapters, making the whole work an autobiographical style. the taste of.
  Although the reader is initially puzzled by the lack of a central plot throughout the story, it is easy to understand the world Orwell is trying to portray. The writer’s imagination is impressive, and the reading is so immersive that the reader seems to feel the heat of the hotel kitchen, the weakness and exhaustion from malnutrition, the smell of animal fat. The smell, the smell of sweat. The seemingly bleak storyline is actually not frustrating, and the narrator never loses his head or feels self-pity, and is still humorous even when he is treated unfairly. The whole novel gives the reader a sense of hope that being poor doesn’t mean there is nowhere to go – there is always a way to get through it.
  
  newspaper office
  
  Work is always hard, especially in the office, it presents a unique kind of hardship – tedious, nervous, painful. Even in the newspapers, why not. A potential panic is well presented in Tom Rahman’s novel The Imperfectionist. Because author Rahman himself has worked as a reporter and editor in Rome and many parts of the world, his account of today’s newspaper industry is exciting to read, both affectionate and sardonic and contemptuous of its chronic ailments. In the author’s own words, this novel is an insider’s perspective to explain to readers exactly how news is produced, while the characters and stories are completely fictional. It is an industry insider who is full of passion and tries to interpret the entire industry.
  Set in Rome, the novel focuses on a series of interrelated stories that take place among reporters, editors, and administrators at an English-language newspaper, each about a story we’ve seen in earlier stories. or characters that will appear in subsequent stories. This narrative structure allows us to interpret the characters from several different perspectives, and the highly varied plot and catchy title reflect the ingenious conception of this realistic novel. The newspaper (never named, just “the paper”) has a declining circulation, its overseas offices are vacant, and it doesn’t even have its own web page. It exists only on the inadvertent whim of a large holding company in the Atlantic. The people in the story not only have to work hard to maintain the normal operation of the newspaper, but also have to stand the test of life. Harsh editor-in-chief Kathryn experiences a marital betrayal, slack obituary writer Arthur struggles with family tragedy, battered accountant Abby finds herself fired from her company, and her love life is intertwined with surprises. Outside newspapers, seasoned French journalists are eager to write their next articles, and an inexperienced staff writer from the Middle East is looking for terrorists to interview. There is a young and lonely publisher in an unnoticed corner, and any action he takes will affect the future of every employee in the newspaper. The novel touches on the rise and fall of the entire newspaper industry and the rise of new technologies, but focuses more on expressing the characters in the story and the bizarre stories that happen to them.